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Leaves of Grass

Audiobook (Includes supplementary content)
Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful." And Ralph Waldo Emerson found Leaves of Grass "the most extraordinary piece of wit and wisdom that America has yet contributed," calling it a "combination of the Bhagavad Gita and the New York Herald." Published at the author's own expense on July 4, 1855, Leaves of Grass initially consisted of a preface, twelve untitled poems in free verse (including the work later titled "Song of Myself," which Malcolm Cowley called "one of the great poems of modern times"), and a now-famous portrait of a devil-may-care Walt Whitman in a workman's shirt. Over the next four decades, Whitman continually expanded and revised the book as he took on the role of a workingman's bard who championed American nationalism, political democracy, contemporary progress, and unashamed sex. This volume, which contains 383 poems, is the final "Deathbed Edition," which was published in 1892.

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Publisher: Tantor Media, Inc. Edition: Unabridged

OverDrive Listen audiobook

  • ISBN: 9781400198054
  • File size: 458749 KB
  • Release date: August 3, 2010
  • Duration: 15:55:43

MP3 audiobook

  • ISBN: 9781400198054
  • File size: 459430 KB
  • Release date: August 3, 2010
  • Duration: 15:55:43
  • Number of parts: 15

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Formats

OverDrive Listen audiobook
MP3 audiobook

subjects

Fiction Poetry

Languages

English

Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful." And Ralph Waldo Emerson found Leaves of Grass "the most extraordinary piece of wit and wisdom that America has yet contributed," calling it a "combination of the Bhagavad Gita and the New York Herald." Published at the author's own expense on July 4, 1855, Leaves of Grass initially consisted of a preface, twelve untitled poems in free verse (including the work later titled "Song of Myself," which Malcolm Cowley called "one of the great poems of modern times"), and a now-famous portrait of a devil-may-care Walt Whitman in a workman's shirt. Over the next four decades, Whitman continually expanded and revised the book as he took on the role of a workingman's bard who championed American nationalism, political democracy, contemporary progress, and unashamed sex. This volume, which contains 383 poems, is the final "Deathbed Edition," which was published in 1892.

Expand title description text